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- VIEW POINTS, Page 101CINEMASeduction on Canvas
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- By Richard Corliss
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- He strips and contorts her, plies her, woos her, drives
- her to boredom, exasperation, tears. He is, in last week's
- favorite phrase, her mentor and tormentor. What the aging artist
- Frenhofer (Michel Piccoli) does to his young model, Marianne
- (Emmanuelle Beart), as she poses for his first painting in
- years, is a disinterested kind of sexual harassment for art's
- sake. These sittings, a seduction on canvas, fill more than half
- of Jacques Rivette's four-hour La Belle Noiseuse. The phrase is
- loosely translated as "the beautiful nut case," but Frenhofer,
- not Marianne, is the genial lunatic: a man of the world who is
- a mad monk for his art. In his atelier the two act out a primal
- ritual of man appraising, adoring, subjugating and re-creating
- woman. This glamorous film, which won second prize at this
- year's Cannes Film Festival and deserved even better, can be
- taken as a commentary on the creation of anybody's art: hard
- work that is its own reward. Its mind is Rivette's, but its soul
- is in Beart -- gorgeous, quietly fiery, supple yet stubborn,
- yielding only surface secrets to the voyeur-artist in every
- gentleman. They may be all he wants.
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